At the moment, I have a thing about found skulls, and in a Cornelia Parker-like way, and also with shades of inspiration from  Simon Armitage ( This book, this page, this harebell laid to rest. Between these sheets, these leaves, if pressed still bleeds a watercolour of the way we were.). In preserving these touchable and three dimensional objects,  and rendering these organs, that harbour identity and being, into two simple 2 dimensional forms and very literal dimensions,  I feel that they become, like chalk and limestone,  their own biological and  calcium based lexicons. Rather than the obvious three dimensions that we are familiar with, these now 2 dimensional forms concentrate their own carbon-based aesthetic into a two-dimensional text  so that the  resulting paper-based  forms directly  become bone poems.