Microcosm/Macrocosm

The microscope gazes  inwards to an inner space and reveals the usually invisible tracks of the microorganisms who’s activity underpins all earthly biology (see images below)

Taken with NightCap Pro. Light Trails mode, 77.38 second exposure.

Taken with NightCap Pro. Light Trails mode, 77.38 second exposure.

Taken with NightCap Pro. Light Trails mode, 81.30 second exposure.

81.30 second exposure, 400x magnification

Taken with NightCap Pro. Light Trails mode, 61.56 second exposure.

61.56 second exposure, 400x magnification

Taken with NightCap Pro. Light Trails mode, 45.76 second exposure.

45.76 second exposure, 100x magnification

Taken with NightCap Pro. Light Trails mode, 29.73 second exposure.

29.73 second exposure, 100x magnification

Taken with NightCap Pro. Light Trails mode, 92.07 second exposure.Taken with NightCap Pro. Light Trails mode, 127.90 second exposure.

Taken with NightCap Pro. Light Trails mode, 56.52 second exposure.

56.52 second exposure.

 

The telescope on the other hand  questions space and reveals the more linear  and constrained movements of stars, meteors and other celestial bodies (images below).

Taken with NightCap Pro. Light Trails mode, 314.06 second exposure.Taken with NightCap Pro. Light Trails mode, 430.80 second exposure.Taken with NightCap Pro. Light Trails mode, 560.75 second exposure.Taken with NightCap Pro. Light Trails mode, 508.27 second exposure.Taken with NightCap Pro. Light Trails mode, 1296.92 second exposure.

 

 

 

Blood Sculpture: an autogenic speculation on the bacterial origins of blood

 

Media: blood, hydrogen peroxide, and detergent.

For many reasons, there is an intimate link between bacteria and blood. In the 1980s, bacteria were found to possess haemoglobins, and thus the same iron containing proteins that transport oxygen around the bodies of all mammals, and which give blood it’s red colour and metallic taint. Some of these haemoglobins are essential for all life, because they indirectly allow plants (via symbiotic nitrogen fixing bacteria to extract and utilise nitrogen. Besides haemoglobin, blood also contains many components that have evolutionary origins in bacteria, for example, the enzyme catalase. This work Blood Sculpture reveals this ancient biochemistry in a dramatic way. When my own blood is mixed with hydrogen peroxide and household detergent, the catalase within it, converts the hydrogen peroxide into water and oxygen. Catalase has one of the highest high turnover rates of any known enzyme, so that one catalase molecule can convert millions of hydrogen peroxide molecules into water and oxygen every second. This powerful  process, and the emission of oxygen through it, drives the formation of the autogenic, bloody foaming structure here (above). Once the process is initiated I have no control over it so that the forms are generated entirely by the biochemical process, which here has intriguingly produced a heart-like form.

Below are some still images of the work.

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The blood before addition of the hydrogen peroxide/detergent mix

 

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The final heart-like autogenic blood sculpture

A Blood Miracle: a microbiological interpretation of transubstantiation

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Media: Communion Wafer and the red pigmented bacterium Serratia marcescens. 

Amongst microbiologists, the bacterium Serratia marcescens is especially noteworthy because of its production of the bright red pigment prodigiosin, and that because of this, its colonies are of a characteristically showy red colour. Very few other bacterial colonies have such a distinctive appearance making this organism very easy to identify on the basis of its colony colour alone. This characteristic, and the bacterium’s natural red aesthetic, has made it attractive to both scientists and artists alike, and it is difficult to imagine another microbe that has had a greater and more direct involvement in the arts. In fact, even before the birth of microbiology, and the discovery of bacteria, the appearance of  S. marcescens was being recorded and even inspiring artists.

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Colonies of the red pigmented bacterium Serratia marcescens. The white colonies are a visualisation of evolution, and are emergent  mutants that can no longer produce the red pigment

S. marcescens has a predilection for growing on foodstuffs, particularly those that are rich in starch, where its red-pigmented growth can be easily mistaken for blood. In this context, as long ago as the sixth century B.C., Pythagoras commented on the appearance of a red bloody material on foodstuffs. Another very similar incident was recorded in 332 B.C. at the siege of Tyre in Phoenicia (today’s Lebanon) in which the army of Alexander the Great is reported to have gained inspiration from an omen of what they perceived as drops of blood that oozed out from the bread eaten by the soldiers. Much later on, the combination of starchy Eucharist bread and damp medieval churches provided many ideal growth opportunities for S. marcescens, and many historical episodes of transubstantiation (the teaching of the Catholic Church in which the bread and the wine used in the sacrament of the Eucharist become in reality the body and blood of Christ) have been attributed to the growth of this bacterium and the production of its characteristic red pigment. In one particular episode in 1264, a priest in Bolsena, Italy, was celebrating mass when blood apparently appeared on the communion bread and dripped onto his robe. This was probably the first time that S. marcescens had directly influenced the arts, as the great master painter Raphael commemorated this apparent miracle in his fresco “The Mass of Bolsena”.

This work is a scientific recreation of Transubstantiation. To make it,  a Communion Wafer was moistened with water and then inoculated with S. marcescens. From an initial pinpoint inoculation, and after overnight incubation, the red pigmented bacterium had grown and moved through the wafer to form a cross (see image below).

 

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A Communion Wafer moistened with water,  and then inoculated with S. marcescens. From an initial pinpoint inoculation, and after overnight incubation, the red pigmented bacterium had grown and moved through the wafer to form a cross. 

After another 12 hours the bacterium had moved further through the Communion Wafer (see below).

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After an additional 12 hours incubation,  the bacterium had moved further through the Communion Wafer. 

In the final work, the Communion Wafer was heat treated to kill the bacteria and then dried in order to preserve it (see image below)

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The Blood Miracle. The dried and completed version of the work.