Some leftover plates of bioluminescent bacteria, a spare 5 minutes. Why not! I find that there’s something quantum physical in the outcome. Probability resolving into form.
“There shall be in that rich dust a richer dust concealed”
Where it is left to settle and left undisturbed, dust will form an informative yet fragile grey stratum. If they avoid the gaze of the avid cleaner, these deposits can be ancient and being made mostly of shed human skin, animal dander, and fabric fibres, a layer of dust, like sedimentary rock, can hold a fragile record of life, passage and occupation. Here I have collected dust samples from neglected and overlooked corners and crannies from ancient buildings. For example from Winchester Cathedral and Hampton Court, and examined these under a microscope so that each sample came to reveal its own unique story. I like to think of these as microscopic sagas that settled directly from the air itself, long after their participants had left the scene, and in the ensuing silence, the room’s atmosphere had stilled to allow this to happen
Amber is fossilized tree resin, which can sometimes contain animals or insects that became caught in the resin after it was secreted. In this respect, it has unique preservational properties, and can preserve otherwise labile parts, and can be used for the reconstruction of organisms and remarkably even the ecosystems that they once occupied. Insects, and notably bacteria and amoebae, have been recovered from ambers dating to a least 130 million years ago.
It is a reflection of the human condition, that for many of us this remarkable material is prized, not so much for its remarkable biological properties, but for its colour and natural beauty and it has been much valued from antiquity to the present as a gemstone.
This is developmental phase of a new project to make a beautiful necklace made from amber containing embedded insects, not from 130 million years ago though, but with endangered insects (like bees) from the present, that is from the Anthropocene . It plays upon the possibility that insects that may soon become extinct may one day be revived from the necklace against the backdrop of our vanity, and also questions how we often misappropriate real value.
This is a first attempt to transform tree resin into amber. You might just be able to see the embedded insect.
I came across these in the New Forest on Sunday. These pink domes are the spore containing stage, or fruiting body, of Lycogala epidendrum, the Wolf’s Milk Slime Mould. If punctured, they ooze a pink toothpaste-like material.
Usually this organism exists as red coloured and microscopic amoeba-like cells which move around on a substrate, such as a rotting log, and feed on bacteria. If conditions are appropriate, these unicellular organisms will start to mate, to eventually form a large multinucleated monocellular organism known as a plasmodium, which can grow into mat up to a metre in diameter. I’m not certain, but the yellow plasmodial form of a slime pictured here, and also found at the same location, might be that of Lycogala epidendrum. In any case, the plasmodium is also mobile and can move towards food and also away from harm. Eventually, if environmental factors change for the worse, the plasmodium may transform into the spore containing and pink fruiting bodies also seen here.
There is an obvious visual metaphor here reflected in th title. These are examples though of “Wet Wood”, a colouless slime that exudes from cracks in a tree’s bark and which blackens upon contact with air. This phenomenon is caused by a type of microbe called a methanogen, that grows in the absence of air and which produces amongst other things methane. If the internal pressure of the gas is high enough, it can be ignited to produce a jet of flame. Another signature of a sublime and invisible world.
Inspired by Ballard’s “The Crystal World”, Vonnegut’s “Cat’s Cradle” and Hiorn’s “Seizure” this is a developmental stage of a new project to make a form of “ice” that doesn’t melt, so that I might juxtapose or blend the seasons. This is a small frozen woodland pool, that someone might simply stumble upon, and which has a summer flower apparently trapped in thick and dense ice. The temperature is 20 C and thus, to the observer, the ice is a beguiling and crystaline paradox.
I’ve just set up C-MOULD, a unique collection and knowledge base, for microorganisms that have application within the arts. All of the microorganism featured in this blog, and many others are part of the collection. C-MOULD is now seeking an enthusiastic and committed co-curator. Unfortunately we cannot pay you at the moment but you will be encouraged to seek funding for projects that use this unique collection, you will receive training, and will have complete access to this truly unique strain collection. Please apply or express an interest by commenting on this post.
The images above are of just some of the strains in the collection.
A brief non-microbiological and rather dangerous excursion!
A Daisy plucked from the garden and immersed in concentrated sulphuric acid. The acid has extracted its defining chemical signature and left behind a frail and now lifeless skeleton of carbon. The flower has succumbed to a cold pyrolysis but what made the daisy and gave it its identity is still present, having been conserved by chemical and physical laws. In a sense then, the flower is still there but its content has been reordered and distributed, but now where does the Daisy begin and end?
In the final work (below), simply entitled “Daisy”, the Daisy has been completely rendered into a viscous black, and still corrosive, liquid , which is presented in a 19th Century specimen jar from the Natural History Museum. The work thus invites the obsever to question the concept of preservation. The jar has been sealed since the introduction of the Daisy into the sulphuric acid, so nothing has been gained or lost from it , so that in a sense then the Daisy is still there, but its elemental make up has been reordered and distributed, by a relentless entropic process.
I’ve just set up C-MOULD, a unique collection and knowledge base, for microorganisms that have application within the arts. All of the microorganism featured in this blog, the beguiling bioluminescent fungus Panellus stipticus (pictured here), and many others are part of the collection. C-MOULD is now seeking an enthusiastic and committed co-curator. Unfortunately we cannot pay you at the moment but you will be encouraged to seek funding for projects that use this unique collection, you will receive training, and will have complete access to this truly unique strain collection. Please apply or express an interest by commenting on this post.